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Eleven Rack User Guide44
Delay Effects
Tape Echo
Inspired by the ultimate vintage solid state tape
echo unit, Tape Echo supplies supple, crunchy
echoes, and can, with a flick of the wrist, can be
pushed into swells of wild self-oscillation, each
repeat more murky, dusty, and gritty than the
next. A classic.
Rec Lev Controls the signal level running to the
tape circuitry. Higher settings create a more dis-
torted tone color.
Head Simulates the alignment (or misalign-
ment) of the tape head with the tape, which af-
fects the tone of the delay.
Wow Controls the amount of wow and flutter in
the tape mechanism. Lower settings minimize
fluctuations of pitch and tone color, and higher
settings accentuate it.
Hiss For some serious authenticity in your tape
echo tone, this switch Toggles modeled analog
tape hiss in or out of the signal. With high feed-
back settings, the tape hiss can push the echo
into self-oscillating mayhem.
BBD Delay
When “bucket brigade” analog delays arrived in
the mid-70s, their relatively small size and solid-
state reliability made them a godsend to tape
loop-addled guitarists. It went on to become a
classic of its own, with a smooth, round delay
sound and a Chorus-Vibrato mode that let it
double as a modulation effect.
Input Sets the input level to the delay effect.
Cranked up, it can push the signal into useful
distortion.
Mod Switches the modulation effect between Vi-
brato (only the delayed signal is passed) and
Chorus (both the dry and delayed signal are
passed.)
Depth Controls the level of modulation of the
delayed signal.
Noise Toggles modeled analog hiss in or out of
the signal.
When Hiss or Noise is turned on in one of
the delay effects and the feedback level is
sufficiently high, the delay will self-oscillate
and make sound of its own, even when by-
passed. If this effect is not desired, turn
down the feedback control.
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